WebJean Tinguely, MÉTA‑HARMONIE II 1979. They clatter and squeak, they bang and rattle: Jean Tinguely’s colossal sound sculptures, the Méta-Harmonies, are considered key works in this Swiss artist’s oeuvre. The sound-mixing-machines, as Tinguely calls them, are constructed out of scrap metal and a selection of other curious found objects. WebHigh Auction Record. Critically Acclaimed. Bio. A pioneer of kinetic sculpture, Jean Tinguely drew on Dada traditions as he satirized industrial production in his fantastical metal machines. Movement was central to Tinguely’s practice, manifesting in dynamic mobiles, motor-powered assemblages, …. See all past shows and fair booths.
Jean Tinguely
WebCatalogue entry. Jean Tinguely born 1925 . T03823 Metamechanical Sculpture with Tripod 1954 . Wire, painted cardboard and welded metal 93 x 32 x 36 (2360 x 815 x 915) Not inscribed Purchased from the artist (Grant-in-Aid) 1984 Exh: Meta-Maschinen, Wilhelm-Lehmbruck Museum, Duisburg, Sept.-Nov. 1978 (1); Tinguely - Luginbuhl, Statdische … WebMeta Harmony book. Read reviews from world’s largest community for readers. Meta Harmony features the sound- and music-producing machine ... (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material … propagating snake plant from leaf cutting
JEAN TINGUELY – GP&N VALLOIS « Galleries in Paris
WebJean Tinguely, MÉTA‑HARMONIE II 1979. They clatter and squeak, they bang and rattle: Jean Tinguely’s colossal sound sculptures, the Méta-Harmonies, are considered key … WebFeb 1, 2024 · Jean Charles Tinguely. 22. Mai 1925 in Fribourg / Schweiz. † 30. August 1991 in Bern. wuchs im Gundeldinger-Quartier hinter dem Centralbahnhof auf. Sein Vater arbeitete als Lagerverwalter für die Firma Kohler und seine Mutter als Magd. Schwierigkeiten im deutschsprachigen und protestantisch geprägten Basel. WebSwiss artist Jean Tinguely assembled scrap iron, metal parts and junk into machines which, as he says, “are useless and make productive action look ridiculous”. His absurd mechanical constructions are distorted mirror images and an ironic take on technology and are to be understood as social criticism. Tinguely detaches the real scientific and technical … propagating staghorn fern spores